91Ó°ÊÓ today announced that the art historian and curator Devika Singh is to be appointed Senior Lecturer in Curating. Widely known for her expertise in modern and contemporary art and architecture in South Asia and the global history of modernism, Dr Singh currently holds the position of Curator, International Art at Tate Modern in London. She will join 91Ó°ÊÓ from early September 2022.
‘I’m excited that Devika is to join us at 91Ó°ÊÓ. A formidable scholar and an impressive curator, lecturer, and teacher, she brings to the position a rich, international academic and professional background’, said Professor Alixe Bovey, Dean and Deputy Director. ‘With this appointment, 91Ó°ÊÓ is taking an important step towards a global engagement with, and understanding of art and curatorial practice’.
Part of the core team of the Hyundai Tate Research Centre: Transnational, at Tate Modern, Dr Singh is curator in charge of South Asian art leading on acquisitions of South Asian art for the collection. There she convened major research events including  ‘Multiple Histories and Transnational Narratives: Re-orienting European Museums’ in collaboration with the Institut National d’Histoire de l’Art in Paris and ‘From Alexandria to Tokyo: Art, Colonialism and Entangled Histories’, organised together with the Mori Art Museum and Sophia University in Tokyo.
Singh is also an affiliated scholar at the Centre of South Asian Studies of the University of Cambridge and a member of the ‘Observatoire: Globalisation, Art et Prospective’ at the Institut National d’Histoire de l’Art (INHA, Paris).
She was previously the Smuts research fellow at the Centre of South Asian Studies, University of Cambridge and a fellow at the Deutsches Forum für Kunstgeschichte (Max Weber Foundation) in Paris. She has held an AHRC fellowship at the Kluge Center, Library of Congress, Washington DC, a Deutscher Akademischer Austauschdienst (DAAD) fellowship at the Freie Universität, Berlin, an André Chastel fellowship of the INHA at the French Academy at Rome (Villa Medici) and was a resident of the Office for Contemporary Art, Oslo (OCA)’s International Studio Programme.
Publications include International Departures: Art in India and its Transnational Context (Reaktion Books, forthcoming 2023), supported by the Paul Mellon Centre, and she has also published in Art History, Modern Asian Studies, Journal of Art Historiography and Third Text. In addition to her academic writing, Singh has published extensively on contemporary art in publications including frieze, Art Press, Take on Art, Art India and MARG.
Dr Singh has curated in vastly different contexts (India, Bangladesh, UAE, US and UK). Exhibitions include: ‘Planetary Planning’ at the Dhaka Art Summit (2018), ‘Gedney in India’ (Jehangir Nicholson Art Foundation, CSMVS, Mumbai, 2017; Duke University, 2018) and ‘Homelands: Art from Bangladesh, India and Pakistan (Kettle’s Yard, Cambridge, 2019-20). Among her many projects curated or co-curated at Tate: displays of art by Lala Rukh, Bani Abidi and Mohan Samant and recently Lee Mingwei’s performance Our Labyrinth.
Devika Singh received her Master’s from 91Ó°ÊÓ Institute of Art, and was awarded a doctorate in the history of art by the University of Cambridge.
Dr Devika Singh
