Ethiopian Christians in Florence: Filippino Lippi’s Adoration of the Magi and ‘Miracle of St Philip’

Speaker: Professor Jonathan Nelson (Syracuse University, Florence)

Fifteen-century Florentine paintings regularly include black figures, almost always as men with low social status. InÌýTheÌýRise of the Black Magus in Western ArtÌý(1985), Paul Kaplan briefly considered the absence of African kings in fifteenth-century Central Italian representations of theÌýAdoration of the Magi. ThisÌýtalkÌýexplores a related question: why do Florentines begin to show blacks with dignity and importance at the end of the fifteenth century? In the 1490s, a half dozen paintings show Africans both prominently and in positive roles, as recent or future Christian converts.ÌýThis hitherto unnoticed phenomenon must reflect the Florentines increased awareness of African Christians. The opening section considers the favourable status enjoyed by Ethiopian Christians,Ìýin light ofÌýa new (and controversial) paradigm for how Europeans saw Africans in the Quattrocento. TheÌýnext two sections considerÌýAfrican figures inÌýworks by Filippino Lippi, theÌýAdoration of the MagiÌý(Uffizi),Ìýand theÌýMiracle of St PhilipÌý(Strozzi Chapel).

A Teaching Professor at Syracuse University Florence, Jonathan Nelson has published extensively on ItalianÌýRenaissanceÌýpainting and sculpture. His books include The Patron’s Payoff: Economic Frameworks for Conspicuous Commissions in Renaissance Italy, with RichardÌýZeckhauserÌý(2008),ÌýandÌýmonographic studies on Filippino Lippi, with Patrizia Zambrano (2004), Leonardo da Vinci (2007), and Plautilla Nelli (2000, 2008). HeÌýalso co-curatedÌýRepresenting Infirmity: Diseased Bodies in Renaissance Italy (2020), andÌýexhibition catalogs on Robert Mapplethorpe: Perfection in Form (2009), Botticelli and Filippino (2004), andÌýVenus and Cupid: Michelangelo and the New Ideal of‵þ±ð²¹³Ü³Ù²â (2002). He is currently completing Filippino Lippi: Ingenuity and Invention (Reaktion Books) and co-editing “Bad Reception: Negative Reactions to Italian Renaissance Artâ€� a special number of the MitteilingenÌýdes KunsthistorischesÌýInstitutÌýin Florenz.ÌýHe is co-editor of the ‘Elements of the Renaissanceâ€� series (Cambridge UP).Ìý

Organised by Dr Scott Nethersole (91Ó°ÊÓ) and Dr Guido Rebecchini (91Ó°ÊÓ).Ìý

 

 

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