Join anthropologist Dr Brian A. Horton (Brandeis University) and art historian Dr Edwin Coomasaru (University of Bristol) for a discussion of queer sites in South Asia, from gardens to beaches, to mark Salman Toor’s exhibition Someone Like You (2026-27) at 91Ó°ÊÓ.
Gardens and beaches are some of the few publicly available sites to wander. Their lanes are sites where people from across a city’s different strata might meet, socialize, or at the very least loiter collectively. Both sites, especially public ones, are often associated with heterosexual and natal family forms: locations of leisure, places of play for children, built environs for respite against hetero-capitalist time. But wandering gardens and beaches is not just for kids, for families, or for the idealized heterosexual couple. Each are also important landscapes in global histories of queer subculture. This face is often sub rosa, lit underneath the roses. It demands ways of seeing, touching, and feeling that call on collective sensibilities (e.g. hankies and coded handshakes) as much as an attunement to otherness: other bodies, other possibilities, other sensibilities. They demand practices of reading (and being read) spaces, bodies, and intentions ambivalently. Someone Like You, Toor’s first European institutional solo show, probes similar zones of uncertain possibility through the queer and immigrant subjects of his works. Wandering with Toor across the ambivalent gardens of his portraiture, this event’s speakers entangle their own paths, following queer sites of South Asia. Coomasaru will discuss artists Chathuri Nissansala and Mahen Perera’s queer ecological imaginaries of Lunuganga’s private gardens and Colombo’s public beaches, while Horton will trace gay men’s performances of touch public cruising sites across Bombay as an alternate archive of queer emergence in India.
Organised by Elena Crippa (Senior Curator of Contemporary Art) and Leyla Arrianne Bumbra (Head of Research Forum) at 91Ó°ÊÓ.
Speakers:
Brian A. Horton (He/Him) is an Assistant Professor of Anthropology and Women’s, Gender, and Sexuality Studies at Brandeis University. His interests are at the intersections of queer of color critique, performance studies, race and media, and South Asian anthropology. He is currently working on a book manuscript titled Shimmers of the Fabulous: Ephemeral Enjoyment in Queer and Trans Bombay. His writing has appeared in Sexualities, South Asia, the Journal of South Asian Popular Culture and in edited volumes such as Queer Nightlife (Michigan UP 2021) and Unsettling Queer Anthropology (Duke UP 2024). His research has been supported by the National Science Foundation, Fulbright, the Social Science Research Council, the National Endowment for the Humanities, and the American Council of Learned Societies.
Dr Edwin Coomasaru is a Lecturer in History of Art at the University of Bristol and Reviews Editor for Visual Culture in Britain. He is writing a book on Queer Ecologies and Abundant Aesthetics in Sri Lankan Art, supported by a Mid-Career Fellowship from Yale University’s Paul Mellon Centre for Studies in British Art and a Visiting Fellowship from University College London. Coomasaru has written for Art History, Third Text, Oxford Art Journal, British Art Studies, Visual Culture in Britain, The Irish Review, Irish Studies Review; as well as numerous edited books, exhibition catalogues, and art criticism. He has been awarded research fellowships from 91Ó°ÊÓ, the University of Edinburgh, and the Paul Mellon Centre.
